•   Menu. The romance of the mob lifestyle—the food, the nightclubs, the cheating, the violence—made for a glittering surface; underneath it was jail, abandonment and living one’s life like a schnook in the witness-protection program.—Joshua Rothkopf, There’s no other thriller as elegant, light-touched and sexy as Hitchcock’s silken caper. During its theatrical run—which stretched into a summer that also saw the white-supremacist Charlottesville rally—Get Out felt like the only movie speaking to a deepening divide.—Joshua Rothkopf, We asked actors for the best movies of all time, from comedies and classic romances to blockbusters and foreign gems. But respect must be paid to the performer, too: In a decade of brilliant acting, no turn was quite as galvanizing as the one given by Gena Rowlands in this stunning peek into a fraying mind. Of course, it’s a work of profound philosophical thought, too, so you’ll feel brainier for having seen it.—Phil de Semlyen, Worlds collide in Sofia Coppola's pitch-perfect tale of a movie star (Bill Murray) and a newlywed (Scarlett Johansson) in Tokyo. Starring:  •   It can often be months before the camera rolls. Starring: Susanne Wuest, Elias Schwarz, Lukas Schwarz, Patrick Brice Not when you consider the low-budget sensation in a larger context. Henry Fonda’s icy stare, composer Ennio Morricone’s twangy guitars of doom and the monumental Charles Bronson as the last gunfighter (“an ancient race…”) are just three reasons of a million to saddle up, As unsparing as cinema gets, the influence of Elem Klimov’s sui generis war movie transcends the genre in a way that not even Steven Spielberg’s, 4. Melissa McCarthy, Naomi Watts, Bill Murray, Peter Jackson Kevin Costner, Jennifer Garner, Denis Leary, Jaume Collet-Serra John Cusack, Paul Dano, Elizabeth Banks, Dean DeBlois Ryan Reynolds, Gemma Arterton, Anna Kendrick, Black Comedy  •  Comedy Thriller  •  Crime Comedy, Anton Corbijn Sign In Now ► The sight of Chaplin literally feeding himself into a massive machine offers a still-germane satire on technological advancement.—Phil de Semlyen, Film critic Jean-Luc Godard’s seismic directing debut is a bravado deconstruction of the gangster picture that also reinvented moviemaking itself.  •    •   Starring: With countless iconic details—a horse’s severed head, Marlon Brando’s wheezy voice, Nino Rota’s catchy waltz—The Godfather’s authority lives on.—Tomris Laffly, Maybe you’ve heard of this one? Sheila Vand, Arash Marandi, Marshall Manesh, Drama  •  Female-Directed Film  •  Foreign Language Film, Michaël R. Roskam  •   Lulling us into her routine, Akerman and actor Delphine Seyrig create an extraordinary sense of sympathy rarely matched by other movies. Citizen Kane’s story of a wealthy man’s rise and fall is forever relevant, and the techniques Welles used to tell it are still unparalleled nearly 80 years later.  •   Join http://www.WatchMojo.com as we count down our picks for the Top 10 Films of 2014. Scarlett Johansson, Morgan Freeman, Analeigh Tipton, Action  •  Action Thriller  •  Girls-with-Guns, Ivan Reitman Of course the action sequences stir the blood—the final showdown in the rain is unforgettable—but this is really a study in human strengths and foibles. The movie’s theme is vigilance: We must protect our children, but who will protect society from itself? Renoir captures his sparklingly astute ensemble cast with fluid, deep-focus camera movements, innovations that inspired directors from Orson Welles to Robert Altman.—Stephen Garrett, Rightly considered one of the most focused and suspenseful movies ever made, Steven Spielberg’s tale of a shark terrorizing a beach town remains effective more than four decades later. Were it not for them, 2001 might have faded into obscurity, but it’s hard to imagine it would have stayed there. Robert Downey Jr., Robert Duvall, Vera Farmiga, James Bobin Still, City Lights was something else. It features Cubistic jump cuts, restless handheld camerawork, location shoots, eccentric pacing (the 24-minute centerpiece is two lovers talking in a bedroom), and self-conscious asides about painting, poetry, pop culture, literature and film. With its shifting, unreliable narrative structure—in which four people give differing accounts of a murder—the film is remarkably daring and serves as a reminder of how form itself can beguile us. Murnau’s haunting images of a crepuscular world set the chilling standard for generations of cinematic nightmares.—Stephen Garrett, With about 6,500 zingers to choose from, everyone has their favorite Airplane!  •   It also made Marcello Mastroianni a star; here, he plays a gossip journalist caught up in the frenzied, freewheeling world of Roman nightlife. Still, Boyhood’s astonishing compactness catches you off guard like no other movie. Despite becoming somehow synonymous with “difficult art-house statement,” it’s not all weighty themes, plague-strewn landscapes and chess games with the Grim Reaper. But the intense close-ups give free reign to Maria Falconetti’s marvelously expressive turn as the doomed Maid of Orleans. Giger’s strangely elegant double-jawed creature, a nightmarish vision of hostility—and one of cinema’s most unforgettable pieces of pure craft.—Tomris Laffly, Simply spun, Yasujiro Ozu’s domestic drama is small but perfectly formed.  •   Thanks for subscribing! TV Shows. Steve Coogan, Rob Brydon, Marta Barrio, Based-on-Television  •  Buddy Film  •  Comedy Drama. Starring: Plus, it’s the perfect primer to get kids into subtitled movies.—Ian Freer, Popcorn pictures hit hyperdrive after George Lucas unveiled his intergalactic Western, an intoxicating gee-whiz space opera with dollops of Joseph Campbell–style mythologizing that obliterated the moral complexities of 1970s Hollywood. Bruce Willis versus the Gimp? In short, it’s cinematic perfection.—Ian Freer, Made in the middle of Italy’s boom years, Federico Fellini’s runaway box-office hit came to define heated glamour and celebrity culture for the entire planet. Later, it would be a major influence on La La Land.—Tomris Laffly, Director Roman Polanski and screenwriter Robert Towne took a modestly sleazy noir setup and turned it into a meditation on the horrors of American history and rapacious capitalism. The sci-fi–inflected tale of two halves of a broken-up couple going through a memory-erasing procedure takes many surprising, poignant turns; the film’s impeccably executed combination of authentically quirky imagery and philosophical inquiry has become a signpost of modern independent cinema.—Abbey Bender, The title is still a killer piece of marketing, suggesting something much gorier than what you get. Reese Witherspoon, Gaby Hoffman, Laura Dern, Josh Boone Tom Hardy, Noomi Rapace, James Gandolfini, Biography  •  Documentary  •  Media Documentary, Gillian Robespierre David Oyelowo, Carmen Ejogo, Tom Wilkinson, Based-on-a-True-Story  •  Biopic  •  Drama, Jennifer Kent  •   It’s science fiction at its most ambitious and breathtaking—the not-so-modest beginnings of onscreen genre seriousness.—Ian Freer, The accepted wisdom is that the noir era really kicked off during the hard-bitten post-WWII years, which makes John Huston’s adaptation of Dashiell Hammett's detective novel a real trailblazer. The dialogue is snappy and delicious; the morals are as empty as Times Square at dawn—Dave Calhoun, This German Expressionist masterpiece came out in 1920, a long time before the invention of the spoiler warning. Starring: (Pointedly, we never see the sex work Jeanne schedules in her bedroom to make ends meet.) Quentin Tarantino’s film earns curiosity with its grabby movie moments but claims all-time status with its spellbinding achronological plotting, insanely quotable dialogue and a proper understanding of the metric system. Often regarded as the funniest of the Marx Brothers’ oeuvre, the film is also—sadly—timeless, as its portrayal of a war-mongering dictatorship remains relevant to this day.—Anna Smith, An unlikely pick? Made at the close of the silent era, it set new standards in screen acting.—Bilge Ebiri, The ultimate cult film, Leone’s spaghetti Western is set in a civilizing America—though mostly shot in Rome and Spain—but the real location is an abstract frontier of old versus new, of larger-than-life heroes fading into memory. Lists of recent good movies and award winners. Starring: Using her celebrity in a radical way, Scarlett Johansson is perfectly cast as an alien in human form who roams Glasgow trying to pick up men in her van. Starring: A landmark of independent black cinema, it’s set to a great soundtrack ranging from blues and classical to Paul Robeson. 100-86 ; 85-71 ; 70-56  •   His conclusion was grim: There would be no winning. Recounting the Algerian uprising against French colonial occupiers in the 1950s, The Battle of Algiers boldly examines terrorism, racism and even torture as a means of intelligence-gathering. The last word on cops-and-robbers movies, it’s suffused with a magic that crime thrillers try to recapture to this day.—Bilge Ebiri, Our list doesn’t lack for Stanley Kubrick movies (nor should it). Jonah Hill, Channing Tatum, Peter Stormare, Action  •  Action Comedy  •  Based-on-Television, Ruben Östlund Starring:  •   Time Out is a registered trademark of Time Out America LLC. All rights reserved. Starring: It’s a triumph of buried political commentary and purest epic cinema. This postmodern movie-brat pastiche references a virtual syllabus of genre classics, from Metropolis and Triumph of the Will to Kurosawa’s samurai actioners, Flash Gordon serials and WWII thrillers like The Dam Busters. https://www.listchallenges.com/top-100-movies-of-2014-by-rotten-tomatoes Starring: Andy Serkis, Jason Clarke, Gary Oldman, Action Thriller  •  Action  •  Dystopian Film, David Robert Mitchell Ultimately, it’s the tale of a man’s attempt to overcome his crisis of faith in a world that seems to have an endless supply of violence and strife—and it’s a remarkable testament to the persistence of artists working under oppressive regimes.—Bilge Ebiri, The melancholy of Michel Legrand’s glorious score washes over viewers’ hearts from the first moment of Jacques Demy’s nontraditional, sung-through musical. It was also monumentally subversive, sneaking in a clutch of racy moments under the nose of Hollywood’s moralistic Hays Code and all but neutering it in the process. We already have this email. Starring: Starring: The director shows restraint with setting and scope; the film focuses largely on the back-and-forth between Joan and her inquisitors. Ian McKellen, Martin Freeman, Richard Armitage, Adventure  •  Based-on-20th-Century-Literature  •  Epic, Gerard Johnstone With the Vietnam War, inner-city rioting and Nixon on the rise, all bets were off.  •   It even won him an unlikely Oscar.—Joshua Rothkopf, An antiwar movie, a courtroom thriller, an upstairs-downstairs study of social status, a religious critique, an absurdist satire and, finally, a heartbreakingly futile plea for compassion in the face of destruction, Stanley Kubrick’s humanist masterpiece dissects all the delusional facets of the male psyche. Women on the Verge of a Nervous Breakdown offers juicy roles for a range of Spain’s finest female actors (plus a charmingly baby-faced Antonio Banderas) and consistently delights with its creative choices in costuming and interior design. The twist contest at Jack Rabbit Slim’s? Nuclear annihilation was a subject in which Kubrick immersed himself, reading virtually every unclassified text. Benedict Cumberbatch, Martin Freeman, Una Stubbs, Detective Film  •  Made-for-Television  •  Mystery, David Michôd Lou Taylor Pucci, Nadia Hilker, Francesco Carnelutti, Marc Webb To me, accuracy when making a Top 10/Top 100 all time list is extremely important. Starring: Starring: Starring:  •   So, what does he do? And let’s not forget the movie itself, which kicked off the “found-footage” trend. Starring: He picks one up, examines it and nonchalantly chucks it away. Starring: The Top 10 Movies of 2013; The Top 20 Movies of 2013; The Top 50 Movies of 2013; The Top 100 Movies of 2013; The Top 250 Movies of 2013; The Best Horror Movies Of the 1980s; The Best Science Fiction Movies of 1977; The Best Comedy Movies Of the 2000s; The Most Recently Released Movies; The Most Recently Added Movies Starring: Starring: Ethan Hawke, Sarah Snook, Noah Taylor, Damián Szifron Michael Pitt, Brit Marling, Astrid Bergès-Frisbey, Ryan Murphy Whiplash 2014, 106 min. James Franco, Seth Rogen, Randall Park, Peter Strickland Starring:  •   Many films emerge from Sundance with a deafening buzz; how do you explain a $250 million global box-office gross? 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Denzel Washington, Marton Csokas, Chloë Grace Moretz, Action Thriller  •  Action  •  Based-on-Television, Hiromasa Yonebayashi  •   Benedict Cumberbatch, Keira Knightley, Matthew Goode, Based-on-20th-Century-Literature  •  Based-on-a-True-Story  •  Biopic, Ava DuVernay My Top 100 Movies 2014. Sidse Babett Knudsen, Chiara D'Anna, Eugenia Caruso, Drama  •  Erotic Drama  •  Gay and Lesbian Film, Justin Benson, Aaron Moorhead 2019, Ridley Scott’s vision of a dystopian future is one of the most stylish sci-fi films of all time. Henry Fonda’s icy stare, composer Ennio Morricone’s twangy guitars of doom and the monumental Charles Bronson as the last gunfighter (“an ancient race…”) are just three reasons of a million to saddle up.—Joshua Rothkopf, If all it did was to launch a franchise centered on Sigourney Weaver’s fierce survivor (still among the toughest action heroines of cinema), Ridley Scott’s claustrophobic, deliberately paced sci-fi-horror classic would still be cemented in the film canon. But his transition to Hollywood was rocky; it was a town that barely understood him. Starring: As director, producer, cowriter and star, Welles cemented his status as an innovator. See Top 2014 Movies at the Domestic Box Office for the total domestic box office for the top 100 movies released in 2014, and Movie Index 2014 for an overview of all movies released in 2014. Amy Adams, Christoph Waltz, Krysten Ritter, David Dobkin David Lynch’s glamorous nightmare of Los Angeles is dense with mystery, terror and uncanny sexiness—themes that had long been a constant of the auteur’s work, but which here reached their lurid apotheosis.—Abbey Bender, The pinnacle of Italian Neorealism, Vittorio de Sica’s postwar masterwork exemplifies the movement’s socioeconomic concerns, maneuvering its stylistic conventions with heartbreaking poignancy. Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie Spotlight.

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